Journée d’études internationale : « The Cameraman in a Skirt », le 11 octobre 2022

Journée d’études internationale autour des travaux de Mio Wakita (MAK – Museum of Applied Arts, Vienna) et Kelly Midori McCormick (University of British Columbia), le 11 octobre 2022.

Lieu : Salle 3.05 – Centre de Colloques du Campus Condorcet, Place du Front Populaire, 93300 Aubervilliers

Inscription obligatoire : crj@ehess.fr

Programme 

9h30 : Introduction Aleksandra Kobiljski (CNRS/EHESS)
 
10h-12h : Mio Wakita (MAK – Museum of Applied Arts, Vienna) ” Photography, Women and Meiji Japan: The Vision of Modern Visual Technologies and the Image of Femininity “
 
12h-13h30 : Pause-déjeuner
 
13h30-15h30 : Kelly McCormick (University of British Columbia) ” Camera Women: A History of Modern Japan by Women Photographers “
 
15h30-17h30 : Table-ronde co-animée par Elise Voyau (INALCO) et Claude Estebe 
 

Résumés des interventions

Kelly McCormick “Camera Women: A History of Modern Japan by Women Photographers” 

How might we write the history of modern Japan from the perspective of women who made a living as photographers? This talk sees photography as a form of world building for women in the twentieth century, analysing how women pushed back against the male dominated photography world to create spaces in photo studios, newspapers, and national photo organizations for their work. Dr. McCormick examines the lives and work of women photographers from the 1930s-1970s to show how the meaning of what it meant to be a woman and a photographer shifted over time. McCormick begins with Yamazawa Eiko, who, as the first woman to own a photo studio in Osaka in the 1930s, was the proud face of economic emancipation before World War Two. Touching on such figures as Sasamoto Tsuneko, Tokiwa Toyoko, Matsumoto Michiko, and the women of the Jissen College Photography Club, her talk details the ways photographic practice makes legible discourses of labour, protest, and the nation. Collectively, these women photographers write the history of women in photography in meaningful ways to ask questions about how we write history and propose a means for examining underutilised historical sources. At the end of this talk, Dr. McCormick will introduce, “Behind the Camera/カメラの後ろで: Gender, Power, and Politics in the History of Japanese Photography” an open-source website that creates new critical directions on the history of photography, feminist art history, and the history of modern Japan. This pedagogical tool for the growing global investment in diverse and expanded histories of photography and gender studies will introduce audiences to new perspectives on the history of photography and Japan.

Mio Wakita ” Photography, Women and Meiji Japan: The Vision of Modern Visual Technologies and the Image of Femininity ” 

Many have described the nineteenth century in connection with a new sense of visuality. Japan’s encounter with the visual modernity was heralded by the introduction of the daguerreotype in 1848. Modern visualising media, offered a new visual model to Meiji Japan with their mechanical reproduction capability, as well as the mimetic quality of its image. Given that visuality itself is a socially and historically defined notion, the impact of modern visualizing technology on existing visual practice was far from straightforward.
This talk explores the impacts of the visual modernity in Meiji Japan, by focusing on female images as case studies. A special focus will be put on the question, how the early modern visual and representational practice had encountered with the radical conversions of the Meiji society in terms of class structure, moral values, technology, and visuality. Through analysing diverse visual materials ranging from ukiyo-e prints, lithography, print photography, ambrotype to collotype, the discussion concerns three key issues: 1) socio-cultural transformations of women in Meiji Japan; 2) Japanese women and the emergence of modern visualising media; and 3) the material and visual dimensions of image production of Japanese women.

 

Présentation des discutants :

Elise Voyau is a Teaching and Research Assistant (ATER) and Ph.D Candidate in the department of Japanese Studies at Inalco, Paris, affiliated to the French Institute for Research on East Asia (IFRAE). She is a graduate from École du Louvre and Paris Cité University, where she majored in art history and Japanese language and civilization. She was awarded the National Library of France Louis Roederer Foundation grant for research in photography in 2017, and spent five years for research in Japan in the University of Tokyo and Waseda University. Her research focuses on the evolutions of photography in post-1968 Japan.

Claude Estebe is a French photographer and scholar in Japanese visual culture born in 1959. He was a fellow artist at French Villa Kujoyama in Kyoto in 2001 and a recipient of a Louis Roederer fellowship for photography at the French National library in 2007. Formerly engineer in computer science, he obtained a PhD at INALCO in 2006 in the field of old Japanese photography, he has since worked regularly as an expert and curator for Guimet museum in Paris and Kyotographie Festival in Japan.

Yasuko D'Hulst

Ingénieure d'études, Chargée de valorisation scientifique

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Yasuko D'Hulst

Ingénieure d'études, Chargée de valorisation scientifique

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